Translation of George Seferis The Last Station

The Last Station

imageFew are the moonlit nights
That I care for.
The alphabet of the day that one pronounces, as the day’s efforts dictates,
And that one interprets Into other meanings and hopes, that one will now more clearly be able to read.
Now that I sit idle and
Unemployed
and consider
That but a few moons are left in memory,
Islands,
Colours bereaved
Of The Virgin.
Slow stanzas.
The night moonlight
once fell on cities of the North
Fell once
on traumatized roads,
rivers and traumatized people’s futures
Heavily
And yet last night
On this
Our last station
where we wait for
our return to dawn,
Like some old debt that
Has remained bundled
in a money hoarders
treasure chest.
And finally the moment
has come for payment
And the sound of coins
Are heard falling on the table.
In this Tyrrhenian village
Behind the sea of Salerno
Behind the harbours
Of return
on the edge of an autumnal gust
The moon overcame
The clouds,
lit,
enamelled,
houses on opposing shore.
Beloved silences of the moon,
A means of thought,
A way of speaking of things that one considers truly difficult.
And at those unbearable moments
When a leaf secretly escapes and brings tidings of home, of life companions, and you rush to open your heart lest the exile of living in foreign lands, heads you off and changes it.
We come from Africa, from Egypt, from Palestine,from Syria, our holding place Commagene, that was snuffed out like a small lamp.
Many times it turns about in our minds, the large cities that flourished for thousands of years, that then later became fields for shepherds,
Fields for sugar cane
and corn .
We come from sands of barren lands from Protean oceans
Souls marred
From public sin
Each one displayed
like a bird in a cage
The wet rain soaked autumn
here in this ditch
Infects the wound
In each one of us,
that which one would otherwise call nemesis
or fate
Or perhaps merely bad habit
Unfortunate, unscrupulous,
And final,
bearing fruit
on the blood of others.
Easily a man is ground up in wars.
Man is soft, a bundle of grass, lips, and fingers that desire;
A white breast, eyes with lids half closed in the brightness of day ,
and feet that, although so very tired, would run at the smallest whistling of profit.
Man is soft and thirsty like grass, unwashed like grass .
Roots are his nerves and they spread. When the harvest comes he prefers that the threshing begins, the scythes whistling, in the neighbouring fields. When the harvest comes, others scream to exorcize the demons, others preoccupy themselves in their innocents, others break into rhetorics,
but the exorcisms, the innocents, the rhetorics, seeing as the living are so far away, of what use are they? Perhaps humanity is another thing, perhaps it is that which imparts life. Time of sowing, time of reaping. Always the same , the same things, you will say I tell you my friend. But the thought of the refugee, the thought of the prisoner, the thought of the man become possession, possessor, try and change it. You can’t. Perhaps he has wanted to remain a king of cannibals, spending strengths that no one would buy. To wander in the valleys to hear thundering under the bamboo trees. But at the spot where they beat and hack at him,
Or on broken platforms
Without water, broken windows, night and night again,
Or on the ship in flames that will sink, as statistics show, these are rooted in the brain and do not change; these are planted images in the brain, same as the trees that drop their seeds in the virgin forest which are nailed into the soil to grow once again, and drop their seed again. A virgin forest of the murdered leaves of our minds.
And I speak to you in fables and parables because this is the way that they sound sweeter, and what travesty can’t be spoken, because it’s alive, because it’s unspoken, and it proceeds, it drips in the day, it drips in sleep. Our pain. Should I speak of heroes, should I speak of heroes : Michael who left the hospital with open wounds. Perhaps he was speaking of heroes that night as he was dragging his leg through the darkness of the city , crying out our pain in a high pitch: through the darkness:
We are travelling in the darkness, we are proceeding, through the darkness. Heroes proceed in the darkness. Few are the moonlit nights that I care for.

-George Seferis

Sawsall

The time

finally

Comes

That billows of snow
and small
evergreens
Yeild
Change.
Sanitary
White corridors
Yeild
To blue
then green
Wheels turn.
Cycles end.
New ones
Begin.
Only the blossoms
Again.
New life of children
Black and white TV
To cell phones
Apps
for the mind’s
Appetite.
Building
and destroying
worlds.
Dollars and cents
renew
depleted till
They fill again
Or close.
The persistence of credit
Treads of commerce
And loans
All the while
Only blossoms
Constant.
Laying out
Renewed
urban sprawl
Like carpets
Harbingers
Of elegant or pitiless decay.
Trees
Mostly renewing
Themselves.
Silence is a
Language itself
something
like time or
A strumming guitar
By the water
Speaking beginnings.

Fugue

Fugue

There was no warning
That steps
Might be made
Into music,
No inkling that
A journey
Could become a song,
Only a vague
thought,
ancient remembrance,
that when words
Fall into pits
of time
and stay
lodged deeply,
there could be
a presence
of poetry
which you,
noble soul
With nimble fingers,
could weave
Into notes
and music
Of a song,
A syncopation
of single steps
played long :
Myth and stories
Are made for children
while the older
Know
what things
appear to be,
And what they may be,
May not indeed be.
We feel in our perception
A base heaviness
Of step.
And older men
Measured In chains
and leagues,
are often turned
to pigs that bleed,
To tell a story
In a dream of
anything but clear
cut black and white,
In an elusive song
Of love
brought about from
word.
And there are
certain thoughtful
women
who take a man’s
story,
And can simply
make it music,
Through secret
And softly
whispered
salutations
To the midnight
stars.

The Past

The past made you,
put you where you are.
The past comes
with nostalgia,
pleasant memories,
or fostering regrets.
What truly
matters Is living fully
with positive
awareness in the now,
By not taking to heart
who others think
It is you are,
By not accepting blindly
Your ego’s automatic view
of who you think you are,
coloured by the past,
but by
observing self,
And contemplating
your
behaviour,
discovering
Who it is
you really are,
And by making earnest
Effort to be better,
And truer to
The Self
For the sake
of self,
And for
The others
All around you.

Grace

Grace

Who has seen
Your beauty?
Who has felt
Your grace?
Who has looked
upon
the blinding
luminescence
of your face;
How can we, and who
can hope to see it ?
Only those who fully
contemplate and
Breathe
the common plight
and fate
of human race,
of a living
on the edge
Of a latent
Never ending,
Ever present grace.

Juxtapose

As the ice exists
In sunlight
As the unseen
wind blows
Hard and cold
On a carrying path,
So my blood
Is coursing,
So my heart is
Steady,
So my love is
Constant,
Like a bird
seeking
Shelter
and fulfilment
In a constant
flight,
Shrouded by
The clouds around it.

Gruff Old Man

Gruff Old Man

The gruff old man
said :

When they flattened
that house
into a parking lot ,
all the memories of
your family
And our friendship
there,
came to me again.
The fact that place
of shelter
was no longer
there
and the comfort
of its’ sight
forever gone,
even though it was
years ago you left,
He left,
So many years ago,
It simply
brought me
to a deep despair.

Politics

Politics

A Greek politician
or
A diplomat
Once said:
If you are
Young and
not a Marxist,
You have no heart.
If you are old and
not a capitalist,
You have no brain.
Why not have both
A capitalist head
A heart that’s red
And therefore Marxist.
What’s more

it has nothing

To do with politics
At all.
Head over heart,
Or heart over head
It’s a matter
of the
moment
or position,
that’s
All.