The DBar
The thin girls
and the bigger girls
are sitting at tables
next to each other
Each set elegant dolled
Bright colours, red headed, blonde ,
Rhythmic repetitive music
of the Dbar
each Vo-lup-tu-ous
in their ways.
The DBar
The thin girls
and the bigger girls
are sitting at tables
next to each other
Each set elegant dolled
Bright colours, red headed, blonde ,
Rhythmic repetitive music
of the Dbar
each Vo-lup-tu-ous
in their ways.
How about It’s Coming
It’s coming
In double 4’s
Not much I can do
But really live
till time runs out .
How about
You ?
Going to be here
till the black
Canary sings ?
So I walk
and walk
and walk
and i enjoy it.
Feet to the ground
Eyes on the sun
and the stars .
I choose
To be
This way ,
and walk away
Into horizons .
How about you Lady ?
How about you Bud ?
How about you son ?
How about you sweets ?
How about you Love?
One Hundred Thousand
A hundred thousand lives
are passing before my eyes
But none of them
compares to you
A hundred thousand loves
are passing by my heart
but none of them
not a one
Is anything like you.
Couldn’t See it
I could not
Have possibly seen it
Coming
It was too black
too dark.
It was silent
It was art.
I fell prey
to its’ beauty .
It ate my heart .
Song of Andalusia
rolling over hills
and mountains
to Granada,
breaking light of
madrugada
first in Seville,
and among
the solitary palms
of Algeciras.
Moonlit gutteral cry
deep from
belly of
of Gypsy, Arab, Jew,
a slow arrival from
Cordoba and Cadiz,
a fusion casting Spain,
a song that revives
the sleeping dead,
resounding deep throughout
the useless times,
over plains and night.
Strains of exile, pain,
longing and disgrace
are peering out from black
and lovely eyes
of lover’s face.
Somewhere Lorca
Is lurking in the moist
and creeping soil
lost in his duende,
tasting the
sweetened sadness
of the deep song
and now
inside it.
It no longer needs
to be inside him,
except in written words
on the white
and spread out spaces.
Hands like graceful
birds are flying round the fire
In the forgotten places.
The hungered Gypsys and
Gitanos dance
and sing deep down
from the well,
like flowing water
around the burning flames,
Proud heels are beating
into dust
and flattened earth,
waking passions of the dead .
Guitarras strum
and
soundless claps of hands
burn deep Into the palms
of Moorish lovers arms,
lost In the embrace
of black duende.
From “Free Verse in Useless Times ” by PWChaltas
Living Flesh Composite
With this living flesh
We find our steps
With living eyes
We cry
With immortal heart
We sing
the song of Love.
The Child
I am
The child .
My swaddled
body
is sweet scented rubber
In hollowed out shelter
stone .
I am carried by
my mother .I am
the child
Judge .
My Friend And I
My friend and I
We had primordial loss
We try the monastery
each in different ways
We try the spa
to see if it can soothe
the aching body .
The monastic
Is respite
and the good
is life .
It heals and eases
from the dropping
of the final straw
and brutal finality .
Bill
Bill sits slumped shouldered
At his table siping coffee
Holding a cigarette
in gnarled fingers
With his white
runners on
Thinking
Alone
Am
I
The Grande Dame
Hallways
of the Grande Dame .
How many babies were
born , wrapped
and carried here ?
How many women healed ?
Walls painted white
now are waiting
for the artist’s hand .
Some artists
sit thinking ,
some
dancing ,drinking ,
or pigment mixing.
Lilith and Eve ,
they were progenitors
of the Grande Dame
MD.
Egyptian eyes,
Ank in hand ,
and on her forehead .
the last maquillage
before
by design
she, Isis is brought down
to her end
for a shining
new beginning ,
for the regenerative
concrete, glass
and steel
of woman’s
new healing.